• survival of the fittest (courtship songs in late capitalism) (2014)
• lisztplayer (2013)
• Orchesterfalle 3000 (2010)
• nagapini Rekonstruiert  – Hommage a Dieter Kaufmann (2006)
• galanti X360.remixed (2006)
• regenmacher (2006)
• derelicted atmospheres (2005)

• Der Apfel aus Basra (2011)
• Du, Fremder (2016)

The project Vestris 4.0 Choreographic Miniatures was developed with the dancer/choreographer Eva Maria Schaller and Cellist Maiken Beer for Imagetanz 2017, brut Wien in cooperation D.ID / OHO Offenes Haus Oberwart.

 

 

The Decoder Ensemble from Hamburg commissioned a new piece for their project Big Data Weekend. The new work Stack Overflow: Exploiting 24 preludes for bass clarinet, violoncello, e-zither, keyboard and mididrumpads will be premiered on 1st of september in Resonanzraum Hamburg. 

Pancrace Royer: Le Vertigo (2016)
adaption of Joseph-Niclas-Pancrace Royer’s harpsichord composition “le vertigo” (1746) for ensemble and electronics

line-up: flute, clarinet, trombone, e-guitar, keyboard, percussion, violin, viola, violoncello, contrabass, electronics
duration: 6′
date of premiere: 23.09.2016, Black Page Orchestra, Arena Wien

Black Page Orchestra, conductor Leonhard Garms
UNSAFE + SOUNDS FESTIVAL 2016, Arena Wien
visuals: Patrik Lechner
stage design: Christopher Sturmer, Birgit Rampula

nihilistic study 13 bis 14
line-up: accordion, cembalo
duration: 7’30”
date of premiere: 10.02.2016, duo ovocutters (Christoph Hofer, Sonja Leipold)

accummulation 1 (unnecessary needs)
line-up: 2 soprano saxophones, 4 channel electronics
duration: 9’40”
date of premiere: 15.07.2016, EMAC Ensemble, CMMAS Morelia, Mexico

Die Auflösung traditioneller Stubenmusik in die Geometrie des Alpenhauptkammes
1.Versuch: Almenmeditation
The dissolution of traditional regional parlour music into the geometry of the main chain of the alps
1.attempt: mountain pasture meditation

line-up: Liru (finnish folk clarinet), alpine Zither, 2 channel electronics
duration: 7’40”
date of premiere: 07.10.2016, Mikko Raasakka, Martin Mallaun

Gefüttert mit 222 Midiflies alpenländischer Stubenmusik sowie dem geologischen Profil alpiner Gebirgsketten spuckt der Computer musikalische Gesten für Lira und Zither aus, die genau dem entsprechen: eine Anhäufung und Überlagerung traditioneller Stubenmusik bzw. dessen extrahierter musikalischer Parameter, abgebildet auf die graphischen Verläufe des Alpenprofils.
feeded with 222 midifiles of alpine folk music as well as with the geologic profile of alpine mountain chains, the computer engine spits out musical gestures for liru and zither which correspond exactly to this: an accumulation and a superposition of traditional parlour music resp. their extracted musical parameters, mapped on the graphical characteristics of the alps.

In 2015 I was invited to work together with the Zagreb based choreographers Petra Hrašćanec, Ksenija Zec, Saša Božić on a new performance named “SAMPLING”.

Matea Bilosnić, Josipa Štulić, Marko Jastrevski, POGON Zagreb May 2015